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Title : Brave
Brave genre : Animation, Adventure, Comedy, Family, Action, Fantasy
Brave crew : Andrew Stanton, John Lasseter, Bill Abbott, Gary Rydstrom, Gary Rydstrom, Tom Johnson, Kyrsten Mate, Darla K. Anderson, Kori Rae, Katherine Sarafian
Brave release date : 9 June 19 2 1
Brave runtime : 93 Minutes
Brave Crew : Andrew Stanton, John Lasseter, Bill Abbott, Gary Rydstrom, Gary Rydstrom, Tom Johnson, Kyrsten Mate, Darla K. Anderson, Kori Rae, Katherine Sarafian
Brave cast :
Kelly Macdonald, Billy Connolly, Emma Thompson, Julie Walters, Robbie Coltrane, Kevin McKidd, Craig Ferguson, Sally Kinghorn, Eilidh Fraser, Peigi Barker
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Brave is set in the mystical Scottish Highlands, where Mérida is the princess of a kingdom ruled by King Fergus and Queen Elinor. An unruly daughter and an accomplished archer, Mérida one day defies a sacred custom of the land and inadvertently brings turmoil to the kingdom. In an attempt to set things right, Mérida seeks out an eccentric old Wise Woman and is granted an ill-fated wish. Also figuring into Mérida’s quest — and serving as comic relief — are the kingdom’s three lords: the enormous Lord MacGuffin, the surly Lord Macintosh, and the disagreeable Lord Dingwall. Brave 2012 review : I enjoyed Brave but it wasn't without a few flaws.

First of all, I never felt like there was much meat to the story. It was enjoyable sure, and had some good morals and family values but I never felt like I was invested in the main characters. Stuff just seemed to happen.

Secondly, and this isn't as much the movies fault as perhaps the marketing that surrounded it, but it was actually a very different movie than I thought it was going to be. I discovered that it's hard to break those pre-conceptions as I kept thinking the story was going somewhere else than it did.

Brave was at its best when it made me laugh which unfortunately, was just too seldom. For example, the entire scene where the 3 clans try to fight for Mérida's hand was way too short!

The voice cast was very good though. Kelly Macdonald in particular, was perfect as Mérida.

All in all, Brave was good but not great. It just seems to lack the "magic" I expect from Pixar. Not their worst outing but close to it.
The following is a long-form review that I originally wrote in 2012.

The film in all was a relatively decent venture. Perhaps Pixar's well deserved success is its pitfall here. Though highly enjoyable, Brave was simply not up to the standard brought forth by the likes of the Toy Story trilogy, Up or Monsters Inc. ?This movie falls more into the category of "Entertaining, acceptable, cute" instead of the higher echelons some of the studio's past work has earned it.

Brave attempts to take the "Disney Princess" line away from its predecessors in which princesses are only good for getting themselves into trouble so that men can rescue them (ie. Snow White, Belle, etc.) or in the case of the Little Mermaid in which she is willing to almost literally walk on broken glass for a man simply because he's pretty. And for this, we thank Brave. All that said and done however, there was one rather unfortunate side-effect of all this. I at first simply felt it was my warped interpretation, but every person whom I've spoken to drew the same conclusion, so perhaps not... Now, I'm sure it wasn't intentional, but, I must say, the main character Merida... Seemed to... Have a thing for her mum. Just saying, honestly, that's how the piece feels as it plays out.

On a less incestuous note though, stand up comic/actor Billy Connolly as Meridia's father King Fergus is simply brilliant, and probably the highest point of the whole film. Though the animation didn't exactly make leaps and bounds forward in comparison to anything else that's come out in the past couple of years, it was still most certainly impressive.

Maybe if I had been part of Brave's target audience I could have appreciated the movie more. It was most certainly good, but I wasn't really ?blown away? by any aspect of the film whatsoever. It managed to scrape a slight "above average" but I really would have liked something more than I got, especially seeing as movies on the big screen tend to impress me more readily.
Brave's biggest problem is that it is, in essence, forgettable. Though an entertaining 93 minutes to be sure, I can't imagine myself hankering for a re-watch any time soon.

62%

-Gimly
A wholehearted animated film from Disney.

'Brave' is very good. The Scottish vibes help a lot, but the meaningful message and superb animation are just a few of the film's other big positives. The casting, characters and music are some too. The premise itself isn't anything breathtakingly new, but is most certainly enjoyable to see unfold.

The cast are excellent, with my personal standouts being Kelly Macdonald (Merida) and Emma Thompson (Elinor). There are also good performances from Billy Connolly (Fergus), Robbie Coltrane (Dingwall) and Julie Walters (Witch).

It's a fun and simple watch, one I thoroughly felt entertained by.

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Bleach crew : Tite Kubo, Daisuke Habara, Kazutoshi Wadakura, Shinsuke Sato, Shinsuke Sato, Taro Kawazu, Ardwight Chamberlain, Yutaka Yamada
Bleach release date : 12 December 19 6 2
Bleach runtime : 108 Minutes
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High school student Ichigo Kurosaki lives an ordinary life, besides being able to see ghosts and the blurry memories of his mother death under strange circumstances when he was a kid. His peaceful world suddenly breaks as he meets Rukia Kuchiki, a God of Death. Bleach 2018 review :

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Title : The Hobbit: The Desolation of Smaug
The Hobbit: The Desolation of Smaug genre : Fantasy, Adventure, Action
The Hobbit: The Desolation of Smaug crew : Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, J.R.R. Tolkien, Fran Walsh, Fran Walsh, Philippa Boyens, Andrew Lesnie
The Hobbit: The Desolation of Smaug release date : 12 November 19 3 8
The Hobbit: The Desolation of Smaug runtime : 161 Minutes
The Hobbit: The Desolation of Smaug Crew : Howard Shore, Christopher Boyes, Peter Jackson, Peter Jackson, Peter Jackson, J.R.R. Tolkien, Fran Walsh, Fran Walsh, Philippa Boyens, Andrew Lesnie
The Hobbit: The Desolation of Smaug movie cast :
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The Dwarves, Bilbo and Gandalf have successfully escaped the Misty Mountains, and Bilbo has gained the One Ring. They all continue their journey to get their gold back from the Dragon, Smaug. The Hobbit: The Desolation of Smaug 2013 review : The second part amends the fiasco of the first one.

Spectacular and, again, with several moments of the already classic "platform-like" fights on the run from these series of movies that could be enhanced if some sense would be given to them. Still, the staging of every location and, remarkably, Smaug, is worth seeing.
7 out of 10 stars would normally be considered quite okay and I guess you could say that this movie is quite okay. However, it has a reputation to live up to. As a movie in the Tolkien universe and with LOTR and The Hobbit: An Unexpected Journey this movie have a lot to live up to and, as far as I am concerned, it does not.

As an action/adventure/fantasy movie it is a quite okay movie. It has a lot of action of course, a lot of adventure and a lot of special effects. Of course everything plays out with the Tolkien universe as a back-drop. I guess it is rather superfluous to mention that the movie is based on the book The Hobbit by Tolkien. However it is here the problems start.

In my review of The Hobbit: An Unexpected Journey the first thing that I mentioned was that you should be aware of the fact that the movie did not follow the book in any great detail and that this was quite okay since the extensions were well made. Well, it should be no surprise that the first part of this statement is valid for this movie as well. Unfortunately, whereas the first movie felt like a fluid extension of the book this one feels like it is just full of fillers.

There are a lot of cool scenes and a lot of action but it really feels like it was just put in there as fillers to showcase the special effects. Speaking of special effects, quite a few of them where rather unimpressive I have to say. The scenes where the dwarfs went down the rapids in barrels frequently looked plastic and artificial. The scenes with Smaug was not too bad even though he was quite overused but the parts around the forges was just plain ridiculous. I know it is fantasy but come one, getting them started and producing tons and tons of molten gold in a few minutes not to mention riding on molten metal without getting burned was just silly.

On the whole I found it an enjoyable movie but I was expecting more.
Jackson turned a great story into just another Prates of the Caribbean. Jumping, sliding, gags, etc. All the thinking parts are gone.
I'm happy to be back in this world, but _Empire_ this ain't.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._

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Title : The Dark Tower
The Dark Tower genre : Fantasy, Action, Science Fiction, Adventure
The Dark Tower crew : Brian Grazer, Anders Thomas Jensen, Anders Thomas Jensen, Mary Vernieu, Stephen King, Stephen King, Akiva Goldsman, Akiva Goldsman, Dan Zimmerman, Ron Howard
The Dark Tower release date : 17 April 19 2 0
The Dark Tower runtime : 95 Minutes
The Dark Tower Crew : Brian Grazer, Anders Thomas Jensen, Anders Thomas Jensen, Mary Vernieu, Stephen King, Stephen King, Akiva Goldsman, Akiva Goldsman, Dan Zimmerman, Ron Howard
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A boy haunted by visions of a parallel world aids its disillusioned guardian in preventing the destruction of the nexus of universes known as the Dark Tower. The Dark Tower 2017 review : ok here are my personal thought on this movie I think you can say what you want but I really liked it this movie had a lot of action and fun you really cant go wrong here the action packed fun and enjoyment mcconihey was a pure joy as the evil villain he really knows how to excite an audience you need to see this movie
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I liked the movie was really good. But yet a little disappointed that the movie missed so many things from the book.in my opinion this should of been done in a series setting..just my two cents
My hard & fast rule of "Never pay ticket price for anything with Matthew McConaughey in a leading role" has served me well once more, because though one of the biggest problems with _The Dark Tower_ was how they tried to squeeze decades of lore into 95 minute movie, the best part about it was still somehow that it was over pretty quick.

_Final rating:★½: - Boring/disappointing. Avoid where possible._
**The dark force, the dark tower and then there's heroes!**

Based on the book of the same name. It is a book series, so we can expect a new franchise here. Another fantasy series, but is it worth is the real question. I don't know how famous is the original source, but I did not find the film any good. For me, it was another teen film like the majority of similarly themed films that flopped terribly. But here, an adult holds a prominent role that played by Idris Elba.

Maybe this is just an introduction, but still the first impression failed. The youngsters might enjoy it better than the adults. Particularly the teenagers. A teenager having a series of strange dreams about another world is all actually comes true when he enters through a portal to one of those worlds in the same universe. Now he's tailed by a most dangerous force in the universe, but accompanied by a gunslinger, he has to find a way to stop an apocalypse that's going strike his world and to rest of the universe.

Being very simple could be the reason I did not enjoy it. Basically, there's no twist in it. What they have called twist was a cliche in this kind of theme. The cast was okay, and so the visuals. But it all points to the story. The sequel could get better, so lets wait and see. In the meantime, I've heard that a completely a new version of the television series is on the development. I hope it works out better than the film franchise. Finally, it is an average film, neither worth nor a waste of time! I hope you make the right decision regarding watching it!

_5/10_
Click here for a video version of this review: https://youtu.be/V_PCAIQ7AvE

I’ve not read a lot of Stephen King books, but one which I read and loved was _The Gunslinger_ which is the first book in _The Dark Tower_ series. In 2017 a movie adaptation came out and was named after the series. Starring Idris Elba and Matthew McConaughey it was hotly anticipated but was met with bad reviews on release.

Having loved _The Gunslinger_ and hearing those reviews it’s taken me a long time to get around to watching this. Having now seen it, I gotta say, I agree with those reviews. It’s not a trash movie, but it is also not even close to being a good movie.

The core problem is that there are eight books of source material, and for some reason they try to distil all that lore and world building into one 95min film. For that reason alone it was doomed from the start, but add in hilariously uncharismatic acting, shoddy CGI, and a copy pasted plot from 100 other sci-fi or fantasy films, and you have a recipe for mediocrity.

Now I will say, I am not a fan of Idris Elba, but I actually thought he played the part of Roland, the Gunslinger, quite well. As for McConaughey, all this did was confirm for me that he is one of the most overrated actors of our generation.

My suggestion would be to avoid the movie and pick up the books, because the books will take you away on an epic journey much much more than this movie ever does.

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Maleficent crew : Sarah Bradshaw, Chris Lebenzon, James Newton Howard, Dean Semler, Anna B. Sheppard, Angelina Jolie, Don Hahn, Rick Baker, Lucy Bevan, Frank Walsh
Maleficent release date : 15 March 19 1 9
Maleficent runtime : 97 Minutes
Maleficent Crew : Sarah Bradshaw, Chris Lebenzon, James Newton Howard, Dean Semler, Anna B. Sheppard, Angelina Jolie, Don Hahn, Rick Baker, Lucy Bevan, Frank Walsh
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Obviously the story is highly rewritten compared to the original Sleeping Beauty story. Whether that is good or bad is probably a matter of personal opinion. I think it is good since it allowed to story in the movie to have its own merits and not be too dependent on the original. It works for me since the original story is not very present except and thus you do not get any annoyed every so often because the deviate from the “original” since the movie clearly demonstrated that it intended to be quite different from the start.

The movie is quite beautiful with a typical fairy-tale air to it and at the same time dark and ominous during the scenes that required it. There are plenty of CGI of course and, to me, it was all quite well done. Angeline Jolie did a good job as Maleficent. I was actually less impressed by the three fairies that were supposed to take care of the princess though. They tried to be funny but it never really became very funny.

On the whole I found this to be a very enjoyable movie. So did the kids by the way. When I watched it (with the kids) the kids had already watched it twice.
Today, June 4, I went to see Maleficent on the birthday of its star, Angelina Jolie. In itself, nothing more than a funny coincidence, although when you think about it, it is customary for someone who is celebrating their birthday, to hand out treats. And boy, this was the best treat ever.

Three reasons why I was completely stoked to see Maleficent after hearing about it for the first time about a year and a half ago: 1) I love Angelina. 2) I love Sleeping Beauty. 3) Maleficent is my favourite fairy tale villain of all time. On the other hand, I was also a little wary of the way they had apparently altered the story. See, if there is one thing I hate in films, it's when they explain and justify the motives and reasons why a certain character is "bad". I for one believe that some people are just plain evil and that's the way it is. And going into this persons' childhood and explaining how bad everything was (or something to that effect) only works to weaken that characters' force. Now, I don't know why a somewhat clichéd story about the love and betrayal of a young Maleficent (who apparently used to be good and pure-hearted), worked here, but somehow it just did. It completely surprised me, to be honest. I'm usually allergic to this kind of fluff, but it worked! Maleficents' back-story actually intrigued me, moved me even. And it succeeded at what it was supposed to do in the first place: it made Maleficent human.

In the end though, they could have written any kind of story about what is undoubtedly Disney's most beloved villainess, it never would have been raised to an above-par level without its most crucial element: Angelina Jolie. I might sound biased because I'm such a fan, but I am perfectly able to look at her performances in a critical way, and I can only say this about her performance as Maleficent: she was in one word, perfect. I honestly can't imagine any other actress who could have approached this role with the same flawless combination of properties (short of maybe Charlize Theron): she is beautiful and very charismatic, yet at the same time undeniably cruel and cold. She was everything I had hoped this real life characterization of Maleficent would be, and then some.

Compliments also go out to the three other main actors in this film. First to Elle Fanning, for being very convincing as the young princess Aurora. She is sweet, lovely and kind and she has the right personality to play this famous princess just the way she should be. Second, to Sam Riley, who was a pleasant surprise as Maleficents' pet raven Diaval in human form. I was thus far unfamiliar with his work, but he was very well suited to his role and I enjoyed watching him. Last, but certainly not least, Sharlto Copley, who has already thrilled me with his performances in District 9 and Elysium, and who has now definitely made a fan out of me. His range is awesome and he was totally terrifying as Stefan.

OK, there are some things you have to look past. My first, and most blatant, issue with this film is: if young Maleficent was a good, pure- hearted girl, then why did she, as an innocent 10-year-old, already have evil-looking horns, devilish wings and is she called "Maleficent"? Right… Secondly, I found the three pixies to be very unconvincing and even somewhat annoying CGI-wise. Overall the special effects are well done but the pixies were definitely an eyesore. The dragon in the end also looked a bit unreal.

That being said, Maleficents' costumes and make-up were absolutely stunning. I just couldn't get enough of gazing at her intricate headdresses and beautiful gowns. The costume and styling department really deserve top credit and I truly hope there will be some awards for them in the near future. The music was also great, with flawless scoring by James Newton Howard and a terrific rendition of "Once upon a dream" by Lana Del Rey over the end credits. Also, awesome battle scenes and action sequences galore!

Going into this film, I thought it would be nothing more than a so-so, kind of fun summer flick. A 6.5/7 maybe. Sometimes, I love it when I'm wrong. Out of the three films that I've seen at the cinema over the last week (the other two being X-Men and Godzilla, both disappointments…) I can tell you, Maleficent was by far the most gratifying. Perhaps because I had relatively low expectations, perhaps because it was simply that good.

One serious warning for the rough, rugged men out there: this film features pixies, fairies, sparkly thingies and magical fluff out the wazoo. If you're going to see this, do it for Angelina. If not, treat this film like kryptonite. You will thank me later.

To everyone else: go see this film. It will rock your socks off. Maleficent is magnificent.
_(June 2014)_
Good watch, would watch again, and can recommend.

I'm not a big Angelina Jolie ("Lara Croft: Tomb Raider") fan, but she definitely nailed the part, and I felt for her when those things happened, so I'm definitely not going to say she's not a good actor.

Elle Fanning ("The Great") is great, mostly an annoyingly happy little thing while she's awake, alongside wonderful supporting cast and gorgeous (and sometimes goofy) CG animated creatures.

Disney definitely poured money into this to make it look great. They also spent quite the effort to revitalize the story. After rewatching "Sleeping Beauty" and some other variations (I did fail to reread the original story), I am definitely a fan of the direction they took. The original story was just so weak and empty, and this does one of my favorite things and humanizes a villain into an adversery into of an evil monster.

I'm not a fan of how or why the 3 faeries get involved, but it makes some sense. And I'm very happy with how they handled the resolution of the curse.

They created this awesome world which adds to the movie in a very special way.
Not as dark or deep as I was expecting/wanting, but it is cool to see a different telling of 'Sleeping Beauty'.

Angelina Jolie fits as the titular character, bringing with her a good performance. Elle Fanning (Aurora), Sharlto Copley (Stefan) and Sam Riley (Diaval) play their respective roles well enough, but neither come close to matching Jolie - as you'd probably expect.

I found the special effects a bit iffy. It's not that it looks anything close to bad, I just thought it could've looked better. The score isn't all that memorable, either. I did enjoy how the plot unfolds though, mainly thanks to the lead admittedly.

Intrigued to see what the sequel to 'Maleficent' has to offer.

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**X-Men: Days of Future Past** (rating: 4 ++)

**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?

In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.

That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.

As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.

**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.

With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.

The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.

The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.

**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”

Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition

The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.

Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.

Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.

**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.

One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.



**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities.
Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always.
This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.

The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.

Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.

Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.

I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.

Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.

Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.

Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars.
ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this
***Focuses on the best characters and an interesting story***

"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.

This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.

The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).

The film runs 2 hours, 11 minutes and was shot in Québec, Canada.

GRADE: A

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Title : Cinderella
Cinderella genre : Romance, Fantasy, Family, Drama
Cinderella crew : Dante Ferretti, Chris Weitz, Leslie Tomkins, Francesca Lo Schiavo, Sandy Powell, Patrick Doyle, Martin Walsh, Kenneth Branagh, James Mather, Barry H. Waldman
Cinderella release date : 4 June 19 0 4
Cinderella runtime : 105 Minutes
Cinderella Crew : Dante Ferretti, Chris Weitz, Leslie Tomkins, Francesca Lo Schiavo, Sandy Powell, Patrick Doyle, Martin Walsh, Kenneth Branagh, James Mather, Barry H. Waldman
Cinderella movie cast :
Lily James, Cate Blanchett, Richard Madden, Helena Bonham Carter, Nonso Anozie, Stellan Skarsgård, Sophie McShera, Holliday Grainger, Derek Jacobi, Ben Chaplin
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When her father unexpectedly passes away, young Ella finds herself at the mercy of her cruel stepmother and her daughters. Never one to give up hope, Ella's fortunes begin to change after meeting a dashing stranger in the woods. Cinderella 2015 review : > Probably the best live-shot Cinderella I've seen.

Disney has done it again. Everybody knows Cinderella story and what this film gave was as it is with the help of modern CGI works. When I heard about the Disney's live-shot version is getting ready, I had a serious doubt, but not anymore. Nowadays, the filmmakers know how to pull it off a big budget movie with ease. Especially from Hollywood, if one market fails, it will raise in another as the recent example was 'Age of Extinction'. I am glad this movie met a great success despite it was not a surprise material as a story, but was as the quality of product.

The movie runs nearly for 100 minutes, that does not feel too long as the narration had a wonderful pace. Everything was awesomely handled by the director of 'Thor'. It's a new era of the live-shot movies, which borrows the stories from the fairytales, folklore and classical animations. Recent 'Maleficent' was one of the great examples and this film as well enters the book of triumph.

Lily James was very good, I haven't seen her much, because she's kind of a new actress in the spotlight. She's cute and adorable, I love to see her in many movies in the future. While Cate Blanchett, I never had any disbelief in her and she delivered it perfectly. An ideal movie for a family to watch at the weekend. I think children would love it, so at least watch it for them, with them.

7/10
Good watch, could watch again, and can recommend.

I'm honestly concerned that this isn't a movie that anyone is going to watch again and again, but it's a solid watch, and a definite improvement over the 1950 animated classic, though I can't say this touches "Ever After" for me.

The original story was somewhat lacking, but had fantastic animation for the time, along with voice acting and writing parallel with the movies of its time. I'm somewhat sad to say that is a fair difference in quality compared to modern standards.

Disney very much kept this dumbed down for younger audiences, and I expect them to have more fun with scenes like "lizard footman eats a fly", but in the very least they steered away from realistic cg talking animals (a creepy factor in many of the live action remakes), though they do make a very specific nod to it at the beginning of the movie.

While I do think they managed to improve on almost ever facet of the original, it certainly isn't without flaws.

The casting is all over the place, which, I'm sure, affected the odd character development. Oddly, the less important characters, the men, in this case, are fine, I really have zero to say other than I rather like Nonso Anozie in anything he's in, and I did think the bit about "Kit" was a rather inspired thing.

I understand that Kate Winslet has had a villainous kick the past few years, and she plays "stuck up snoot" very well, but seeing Helena Bonham Carter come in to give us "the fairy godmother who ain't got time for dat" really makes me wonder if they just weren't paying her enough to care. It would have made more sense to let Winslet elevate the fairy godmother (one of the only things that really wasn't) and let Carter goes Bellatrix Lestrange as the Wicked Stepmother.

Sophie McShera did a marvelous job of making me hate her character, and Holliday Grainger kept making me see Katherine Heigl if we could keep her away from tanning beds, so they both did a marvelous job as wicked stepsisters (honestly, probably the best performances of the movie).

For some reason though, they made a very strange decision to make all the wicked women gingers, though not with a very convincing dye job. I don't know if it was supposed to be representative of their tacky fashion and the ability to dye hair at the time, or if Disney really thinks gingers don't have a soul, but it was a blaring message, if illegible.

What makes me think that they don't care at all is Lily James. She's lovely, she did a good job with the role as written, and I'm dying to see her in anything else to see if any of the oddities were her, or she's done just as good as Winslet with the roles they were given.

Cinderella is traditionally a "fairest in the land" look, given that it's the middle of Europe, I imagine northern was exotic once upon a time, or at least certain people thought so she is traditionally very blonde and very fair. Lily James is neither (in this, despite some of the posters), so I thought they were taking a more Germanic look with a more honey colored hair....but it is also very oddly colored, and perhaps we wouldn't have notice if it wasn't for her very prominent BLACK eyebrows (which I have nothing against, I actually think they're lovely) which would have been simple enough to die to match. Alternatively they could have abandoned blonde altogether (plenty of versions do). It is just very odd to spend millions of dollars to do something purposefully (and repetitively) to make it look like they don't care and objectively make their movie worse.

Overall, it's this sort of attitude that seeps into the movie at different points. It could have been a masterpiece, but instead, everyone knows it's a guaranteed paycheck on the title alone and made something that ends up being rather average despite itself.
An improvement on Disney's past attempt from 1950.

I do like the animated version from the studio, but this 2015 release of 'Cinderella' makes for a more enjoyable experience in my eyes. Lily James and Richard Madden are smart choices to play Cinderella and Prince, while Cate Blanchett is impressive as the Stepmother. Helena Bonham Carter (Fairy Godmother), Stellan Skarsgård (Grand Duke) and Nonso Anozie (Captain) are also noteworthy.

The premise has a few changes, the ending plays out slightly differently compared to the '50 production - to positive effect. It also makes the nastiness of Blanchett's character unmistakably clear, I actually felt hatred for her - which wasn't the case, at least to the same extent, with the original.

Good viewing.

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